Okla-homey
9/21/2007, 06:06 AM
Sept. 21, 1921: Animator Chuck Jones is born in Spokane, WA
http://aycu10.webshots.com/image/28369/2004527106261581806_rs.jpg (http://allyoucanupload.webshots.com/v/2004527106261581806)
86 years ago, Chuck Jones was born on September 21, 1912 in Spokane, Washington. Jones grew up in Hollywood where he observed the talents of Charlie Chaplin and Buster Keaton and worked occasionally as a child extra in Mac Sennett comedies.
After graduating from Chouinard Art Institute in Los Angeles (now California Institute of the Arts) Jones drew pencil portraits for a dollar a piece on Olvera Street. Then, in 1932, he got his first job in the fledgling animation industry as a cel washer for former Disney animator, Ubbe Iwerks. It was at Iwerks Productions that he met Dorothy Webster, to whom he was married in 1932.
The name 'Chuck Jones', according to my uncle, limited my choice of profession to second baseman or cartoonist."
In 1936 Jones was hired by Friz Freleng as an animator for the Leon Schlesinger Studio (later sold to Warner Bros.). Jones admired and revered Freleng for the rest of his life, saying, "No one except Tex Avery had as perfect a sense of timing as did Friz Freleng."
http://aycu08.webshots.com/image/29287/2004582559448938343_rs.jpg (http://allyoucanupload.webshots.com/v/2004582559448938343)
Chuck's creation Marvin the Martian
In 1937 his daughter, Linda, was born, and in 1938 he directed his first film, The Night Watchman.
He worked with and for directors Tex Avery and Bob Clampett until the early forties when they left the studio, and for the remainder of his years at Warner Bros. he worked in parallel with Directors Freleng and Robert McKimson. He remained at Warner Bros. until the studio was closed in 1962.
http://aycu25.webshots.com/image/28864/2004535601366493043_rs.jpg (http://allyoucanupload.webshots.com/v/2004535601366493043)
Chuck and some of his awards
When a young artist asked me for advice on drawing the human foot, I told him, 'The first thing you must learn is how to take your shoe off, and then how to take your sock off, then prop your leg up carefully on your other knee, take a piece of paper, and draw your foot.'"
During those years, sometimes referred to later as the Golden Years of Warner Bros. Animation, arguably some of the most enduring cartoons ever made were produced; most of them still enjoying worldwide recognition daily.
http://aycu08.webshots.com/image/29287/2004570055342906531_rs.jpg (http://allyoucanupload.webshots.com/v/2004570055342906531)
Chuck's famous duck and rabbit
During the Golden Age of animation Jones helped bring to life many of Warner Bros. most famous characters—Bugs Bunny, Daffy Duck, Elmer Fudd and Porky Pig. The list of characters he created himself includes Road Runner, Wile E. Coyote, Marvin Martian, Pepe le Pew, Michigan J. Frog and many others.
He also produced, directed and wrote the screenplays for "Dr. Seuss’ How the Grinch Stole Christmas," a television classic, as well as the feature-length film "The Phantom Tollbooth." In addition, Jones was a prolific artist whose work has been exhibited at galleries and museums worldwide.
"If you want a midget to look like a baby, don’t put a cigar in his mouth."
Jones often recalled a small child who, when told that Jones drew Bugs Bunny, replied: "He doesn’t draw Bugs Bunny. He draws pictures of Bugs Bunny." His point was that the child thought of the character as being alive and believable, which was, in Jones’ belief, the key to true character animation.
http://aycu18.webshots.com/image/28017/2004501937825337485_rs.jpg (http://allyoucanupload.webshots.com/v/2004501937825337485)
Chuck's roadrunner and coyote
When Warner Bros. closed, and after a very short stay at the Disney Studios, Jones moved to MGM Studios, where he created new episodes from the Tom and Jerry cartoon series. While there, in addition to The Phantom Tollbooth and Dr. Seuss’ How the Grinch Stole Christmas, Jones directed the Academy Award winning film, The Dot and the Line.
"Once you have heard a strange audience burst into laughter at a film you directed, you realize what the word joy is all about."
Jones established his own production company, Chuck Jones Enterprises, in 1962 and produced nine half-hour animation films for television including Rudyard Kipling’s Rikki Tikki Tavi and The White Seal.
After the death of his first wife, Jones met and married the love of his life, Marian Dern, who remained his best friend, lover and companion for the rest of his life.
One of his films, the Wagnerian mini epic, What’s Opera, Doc? was inducted into the National Film Registry for being "among the most culturally, historically and aesthetically significant films of our time."
http://aycu08.webshots.com/image/26927/2004587158313993700_rs.jpg (http://allyoucanupload.webshots.com/v/2004587158313993700)
"What's Opera Doc"...."Kill the wabbit! Kill the wabbit! kill the waaaaaaaa-bit!"
"I have come to know Bugs so well that I no longer have to think about what he is doing in any situation. I let the part of me that is Bugs come to the surface, knowing, with regret, that I can never match his marvelous confidence."
Director Peter Bogdanovich once explained the enduring appeal of Jones’ work: "It remains, like all good fables and only the best art, both timeless and universal."
Jones died on February 22, 2002. His remains were cremated and the ashes scattered at sea. He has no memorial. RIP Chuck, thanks for the fun.
http://aycu27.webshots.com/image/26826/2004546075550129684_rs.jpg (http://allyoucanupload.webshots.com/v/2004546075550129684)
http://aycu10.webshots.com/image/28369/2004527106261581806_rs.jpg (http://allyoucanupload.webshots.com/v/2004527106261581806)
86 years ago, Chuck Jones was born on September 21, 1912 in Spokane, Washington. Jones grew up in Hollywood where he observed the talents of Charlie Chaplin and Buster Keaton and worked occasionally as a child extra in Mac Sennett comedies.
After graduating from Chouinard Art Institute in Los Angeles (now California Institute of the Arts) Jones drew pencil portraits for a dollar a piece on Olvera Street. Then, in 1932, he got his first job in the fledgling animation industry as a cel washer for former Disney animator, Ubbe Iwerks. It was at Iwerks Productions that he met Dorothy Webster, to whom he was married in 1932.
The name 'Chuck Jones', according to my uncle, limited my choice of profession to second baseman or cartoonist."
In 1936 Jones was hired by Friz Freleng as an animator for the Leon Schlesinger Studio (later sold to Warner Bros.). Jones admired and revered Freleng for the rest of his life, saying, "No one except Tex Avery had as perfect a sense of timing as did Friz Freleng."
http://aycu08.webshots.com/image/29287/2004582559448938343_rs.jpg (http://allyoucanupload.webshots.com/v/2004582559448938343)
Chuck's creation Marvin the Martian
In 1937 his daughter, Linda, was born, and in 1938 he directed his first film, The Night Watchman.
He worked with and for directors Tex Avery and Bob Clampett until the early forties when they left the studio, and for the remainder of his years at Warner Bros. he worked in parallel with Directors Freleng and Robert McKimson. He remained at Warner Bros. until the studio was closed in 1962.
http://aycu25.webshots.com/image/28864/2004535601366493043_rs.jpg (http://allyoucanupload.webshots.com/v/2004535601366493043)
Chuck and some of his awards
When a young artist asked me for advice on drawing the human foot, I told him, 'The first thing you must learn is how to take your shoe off, and then how to take your sock off, then prop your leg up carefully on your other knee, take a piece of paper, and draw your foot.'"
During those years, sometimes referred to later as the Golden Years of Warner Bros. Animation, arguably some of the most enduring cartoons ever made were produced; most of them still enjoying worldwide recognition daily.
http://aycu08.webshots.com/image/29287/2004570055342906531_rs.jpg (http://allyoucanupload.webshots.com/v/2004570055342906531)
Chuck's famous duck and rabbit
During the Golden Age of animation Jones helped bring to life many of Warner Bros. most famous characters—Bugs Bunny, Daffy Duck, Elmer Fudd and Porky Pig. The list of characters he created himself includes Road Runner, Wile E. Coyote, Marvin Martian, Pepe le Pew, Michigan J. Frog and many others.
He also produced, directed and wrote the screenplays for "Dr. Seuss’ How the Grinch Stole Christmas," a television classic, as well as the feature-length film "The Phantom Tollbooth." In addition, Jones was a prolific artist whose work has been exhibited at galleries and museums worldwide.
"If you want a midget to look like a baby, don’t put a cigar in his mouth."
Jones often recalled a small child who, when told that Jones drew Bugs Bunny, replied: "He doesn’t draw Bugs Bunny. He draws pictures of Bugs Bunny." His point was that the child thought of the character as being alive and believable, which was, in Jones’ belief, the key to true character animation.
http://aycu18.webshots.com/image/28017/2004501937825337485_rs.jpg (http://allyoucanupload.webshots.com/v/2004501937825337485)
Chuck's roadrunner and coyote
When Warner Bros. closed, and after a very short stay at the Disney Studios, Jones moved to MGM Studios, where he created new episodes from the Tom and Jerry cartoon series. While there, in addition to The Phantom Tollbooth and Dr. Seuss’ How the Grinch Stole Christmas, Jones directed the Academy Award winning film, The Dot and the Line.
"Once you have heard a strange audience burst into laughter at a film you directed, you realize what the word joy is all about."
Jones established his own production company, Chuck Jones Enterprises, in 1962 and produced nine half-hour animation films for television including Rudyard Kipling’s Rikki Tikki Tavi and The White Seal.
After the death of his first wife, Jones met and married the love of his life, Marian Dern, who remained his best friend, lover and companion for the rest of his life.
One of his films, the Wagnerian mini epic, What’s Opera, Doc? was inducted into the National Film Registry for being "among the most culturally, historically and aesthetically significant films of our time."
http://aycu08.webshots.com/image/26927/2004587158313993700_rs.jpg (http://allyoucanupload.webshots.com/v/2004587158313993700)
"What's Opera Doc"...."Kill the wabbit! Kill the wabbit! kill the waaaaaaaa-bit!"
"I have come to know Bugs so well that I no longer have to think about what he is doing in any situation. I let the part of me that is Bugs come to the surface, knowing, with regret, that I can never match his marvelous confidence."
Director Peter Bogdanovich once explained the enduring appeal of Jones’ work: "It remains, like all good fables and only the best art, both timeless and universal."
Jones died on February 22, 2002. His remains were cremated and the ashes scattered at sea. He has no memorial. RIP Chuck, thanks for the fun.
http://aycu27.webshots.com/image/26826/2004546075550129684_rs.jpg (http://allyoucanupload.webshots.com/v/2004546075550129684)