"New" Hendrix

[Crucifax Autumn]

JIMI HENDRIX's "Valleys Of Neptune", the first single from the legendary guitarist's "Valleys Of Neptune" CD release, premieres today on AOL's Spinner.com. This is your first chance to hear this new single from Jimi.

http://www.spinner.com/2010/01/28/jimi-hendrix-valleys-of-neptune-song-premiere/

Experience Hendrix LLC and Sony Music Entertainment's Legacy Recordings launch their monumental 2010 Jimi Hendrix Catalog Project on Tuesday, March 9, with the release of "Valleys of Neptune", a newly curated album of 12 fully realized studio recordings, more than 60 minutes of music never commercially available on a Jimi Hendrix album, from the artist Rolling Stone magazine called the greatest guitarist of all time.

Centered around tracks recorded during a pivotal and turbulent four-month period in 1969, "Valleys of Neptune" unveils the original JIMI HENDRIX EXPERIENCE's final studio recordings, as the group lays down the foundation for its follow-up to "Electric Ladyland", alongside the guitar superhero's first sessions with bassist Billy Cox, an old army buddy he'd recruited into his new ensemble.

"Valleys of Neptune" provides an essential, compelling, and up-til-now largely unseen view of what Jimi Hendrix was up to musically in the critical period between the release of "Electric Ladyland" in October 1968 and the 1970 opening of his own Electric Lady Studios in Greenwich Village, the state-of-the-art facility where he would begin his final project, the ambitious double album "First Rays of the New Rising Sun".

Janie Hendrix, CEO of Experience Hendrix LLC, the Hendrix family-owned company entrusted with preserving and protecting the legacy of Jimi Hendrix, noted, "My brother Jimi was at home in the studio. 'Valleys of Neptune' offers deep insight into his mastery of the recording process and demonstrates the fact that he was as unparalleled a recording innovator as he was a guitarist. His brilliance shines through on every one of these precious tracks."

"Valleys of Neptune" is originality electrified, offering more than 60 minutes of previously unreleased Jimi Hendrix music, originally recorded, and newly mixed for this historic release, by Hendrix's longtime engineer Eddie Kramer, who first worked with the guitarist on "Are You Experienced?" in 1967. "Valleys of Neptune" is produced by Janie Hendrix, John McDermott (who contributes detailed liner notes to the album) and Eddie Kramer.

"Valleys of Neptune" has long been one of the most sought-after of any commercially unavailable Jimi Hendrix recording. The song will be released as a single globally on February 2, 2010, nearly forty years after Jimi finished recording the track at New York's Record Plant in May of 1970. Other highlights on "Valleys of Neptune" include blazing studio covers of ELMORE JAMES' classic "Bleeding Heart" and CREAM's "Sunshine of Your Love" as well as premier performances of original Hendrix compositions like "Ships Passing Through The Night", "Lullaby For The Summer" and the original un-dubbed JIMI HENDRIX EXPERIENCE rendition of "Hear My Train A Comin'". Also included in "Valleys of Neptune" is "Mr. Bad Luck", a JIMI HENDRIX EXPERIENCE track, produced by Chas Chandler during the 1967 "Axis: Bold as Love" sessions.

As part of the opening wave of releases for the Jimi Hendrix Catalog Project, Legacy Recordings will also be releasing new deluxe CD/DVD editions of "Are You Experienced?", "Axis: Bold As Love", "Electric Ladyland", and "First Rays of the New Rising Sun", also available on vinyl, on March 9.

Each of the essential titles in the Jimi Hendrix catalog to be newly reissued on Legacy will feature a bonus DVD featuring newly created documentaries directed by the Grammy-award-winning Bob Smeaton and featuring interviews with EXPERIENCE members Noel Redding, Mitch Mitchell, Billy Cox, original producer Chas Chandler and engineer Eddie Kramer. In addition, "Smash Hits", Jimi's original compilation, will be reintroduced. The critically acclaimed "Live At Woodstock" will be available as a standard DVD as well as a Blu-ray disc.

"No artist has ever transformed the pop music landscape as profoundly or as permanently as Jimi Hendrix," said Adam Block, Senior Vice President and General Manager, Legacy Recordings. "We are proud to be partnering with Experience Hendrix in releasing 'Valleys of Neptune', a treasure for Hendrix fans both new and experienced. It's an auspicious start in fulfilling a shared vision for the Jimi Hendrix catalog going forward."

"Valleys Of Neptune" track listing:

"Stone Free"
Recorded: Record Plant, New York, April 7, 9, 14, May 17,1969
Producer: Jimi Hendrix
Vocal, Guitar: Jimi Hendrix
Bass: Billy Cox
Drums: Mitch Mitchell
Backing Vocals: Roger Chapman, Andy Fairweather Low

Valleys Of Neptune
Recorded: Record Plant, New York, September 23, 1969, May 15, 1970
Producer: Jimi Hendrix
Vocal, Guitar: Jimi Hendrix
Drums: Mitch Mitchell
Bass: Billy Cox
Percussion: Juma Sultan

"Bleeding Heart"
Recorded: Record Plant, New York, April 24, 1969
Producer: Jimi Hendrix
Vocal, Guitar: Jimi Hendrix
Bass: Billy Cox
Drums: Rocky Isaac
Tambourine: Chris Grimes
Maracas: Al Marks

"Hear My Train A Comin'"
Recorded: Record Plant, New York, April 7, 1969
Producer: Jimi Hendrix
Vocal, Guitar: Jimi Hendrix
Bass: Noel Redding
Drums: Mitch Mitchell

"Mr. Bad Luck"
Recorded: Olympic Studios, London, May 5, 1967
Producer: Chas Chandler
Additional bass and drum recording, Air Studios, London, June 5, 1987
Vocal, Guitar: Jimi Hendrix
Bass: Noel Redding
Drums: Mitch Mitchell

"Sunshine Of Your Love"
Recorded: Olympic Studios, London, February 16, 1969
Producer: Jimi Hendrix
Guitar: Jimi Hendrix
Bass: Noel Redding
Drums: Mitch Mitchell
Percussion: Rocki Dzidzornu

"Lover Man"
Recorded: Olympic Studios, London, February 16, 1969
Producer: Jimi Hendrix
Vocal, Guitar: Jimi Hendrix
Bass: Noel Redding
Drums: Mitch Mitchell

"Ships Passing Through The Night"
Recorded: Record Plant, New York, April 14, 1969
Producer: Jimi Hendrix
Guitar, Vocals: Jimi Hendrix
Bass: Noel Redding
Drums: Mitch Mitchell

"Fire"
Recorded: Olympic Studios, London, February 17, 1969
Producer: Jimi Hendrix
Vocal, Guitar: Jimi Hendrix
Bass, Backing Vocal: Noel Redding
Drums: Mitch Mitchell

"Red House"
Recorded: Olympic Studios, London, February 17, 1969
Producer: Jimi Hendrix
Vocal, Guitar: Jimi Hendrix
Bass: Noel Redding
Drums: Mitch Mitchell

"Lullaby For The Summer"
Recorded: Record Plant, New York, April 7, 1969
Producer: Jimi Hendrix
Mixed By Eddie Kramer
Guitar: Jimi Hendrix
Bass: Noel Redding
Drums: Mitch Mitchell

"Crying Blue Rain"
Recorded: Olympic Studios, London, February 16, 1969
Producer: Jimi Hendrix
Additional bass and drum recording, Air Studios, London, June 5, 1987
Vocal, Guitar: Jimi Hendrix
Percussion: Rocki Dzidzornu
Bass: Noel Redding
Drums: Mitch Mitchell

http://www.roadrunnerrecords.com/blabbermouth.net/reviewpics/jimivalleys.jpg

[swardboy]

Surprised at the subdued guitar, but dang...it's 1969 again! Thanks AC.

[OULenexaman]

I click on start listening and it says song not found.....wtf??

[Crucifax Autumn]

Weird. It's still working for me.

[King Crimson]

Weird. It's still working for me.

me too. listened to it twice.

[soonerinkaty]

Don't hate me for this. But i've never been very impressed with Hendrix. I just dont think he is that great.

[Crucifax Autumn]

Yuo have to put it in the context of the time in some ways. I think he was great anyway, but when you throw in things like his use of the tremolo bar at a time when there was no such thing along with his embrace of the distortion that was for so long a thing to be avoided he becomes far more impressive.

[KC//CRIMSON]

Definitely an innovator and one of the most influential guitarist of all time. SRV being one of the most influenced by Hendrix.

[King Crimson]

Definitely an innovator and one of the most influential guitarist of all time. SRV being one of the most influenced by Hendrix.

and both of them influenced by Elmore James and Albert King (who is so underrated it's ridiculous). I saw AK play about 3 months before he died at the Fox Theatre in Boulder and he was out of tune the whole show but he made it work. it was awesome. awe-some.

outside of seeing McCoy Tyner, the minutemen, husker du with the lips opening in 85 or maybe defenestration inna day, i'd say that Albert King show was about the coolest, most "wow" live show i've ever seen.

hendrix is on classic rock and Clear Channel beaten into about being as interesting as a Snickers bar as a commodity, but the guy was amazing.

[Crucifax Autumn]

http://www.articlesbase.com/music-articles/is-jimi-hendrix-the-worlds-greatest-guitar-player-and-composer-377930.html


What caught most peoples attention at first was his virtuosic guitar playing, which employed an arsenal of devices, including wah-wah pedals, buzzing feedback solos, crunching distorted riffs, and lightning, liquid runs up and down the scales. But Hendrix was also a first-rate songwriter, melding cosmic imagery with some surprisingly pop-savvy hooks and tender sentiments.
He was also an excellent blues interpreter and passionate, engaging singer (although his gruff, throaty vocal pipes were not nearly as great assets as his instrumental skills).
On Electric Ladyland in particular, Hendrix pioneered the use of the studio itself as a recording instrument, manipulating electronics and devising overdub techniques (with the help of engineer Eddie Kramer in particular) to plot uncharted sonic territory.

The rest of that article is interesting reading as well, but I mainly wanted to reflect some of what set him apart as an innovator.


A little trivia for you: Monika Danneman, his girlfriend at the time of his death, spent the rest of her life with Uli Jon Roth, famous for his time with Scorpions in the 70s, who is also one of the most respected and innovative guitarists of all time, fusing a lot of the Hendrix style with the classical stylings of Ritchie Blackmore.

[King Crimson]

SRV and Albert King in 1983. at 4:25 it's ridiculous how big AK's hands are. and both play with the thumb over the top.

SMbmkBxWP7U&feature=related

[Crucifax Autumn]

Looks almost like he's playing a children's toy guitar...He does have some huge hands!

[OklaPony]

Don't hate me for this. But i've never been very impressed with Hendrix. I just dont think he is that great.
It's not so much what he played but when he played it. He came up with sounds, licks, and unique stylistic cues that nobody had ever dreamed possible. It wasn't all about flawless technic at hyperspeed.

You have to put it in the context of the time in some ways. I think he was great anyway, but when you throw in things like his use of the tremolo bar at a time when there was no such thing along with his embrace of the distortion that was for so long a thing to be avoided he becomes far more impressive.
Well, not exactly no such thing as a trem at the time but he definitely changed the way it was used and the perception of its possibilites. But still, context is everything just like you said.

...outside of seeing McCoy Tyner, the minutemen, husker du with the lips opening in 85 or maybe defenestration inna day, i'd say that Albert King show was about the coolest, most "wow" live show i've ever seen.
Oh, the memories...

[Rogue]

It's amazing to me that as short as his career was, we still get some unreleased stuff every few years.

[GKeeper316]

Don't hate me for this. But i've never been very impressed with Hendrix. I just dont think he is that great.

are you a musician?

[Rogue]

are you a musician?

Nope, he's deaf.
















;)

[Crucifax Autumn]

That's hardly the point really. I don't much enjoy Delta blues or opera, but I respect the hell out of them.